引自IMDb评论“Italy’s Ugo Tognazzi and Gallic Michel Serrault are the most inspiring and oddest couple to appear on screen since Jack Lemmon and Walter Matthau, and just as entertainingly colorful as Siegfried & Roy.” (指的是《精力旺盛的公中字》)而且美国版是强行闹剧结局,《妈妈隐瞒的秘密》大结局才能被大众接受。尽管刻板印象明显,但是透过此我们能看到赤裸裸的人们。3.6/5
nytimes的"sordid, and pretty damned"是最精准的评价了。主角如此可爱,就在于她毫无愧疚感的自负,《妈妈隐瞒的秘密》大结局也让影片和聚焦作案动机和过程的常规犯罪片划清界限,它有某种女性视角的灵动。换个角度看,这不也是melissa mccarthy本人在好莱坞处境的一种投射吗?